A print depicting a woman surrounded blue geometric rays with the words, "Her Choice" in the left corner and "Understand abortion laws in your state" in the center left. Created by Pacific University graduate Ariel Russell, 2022.
A print depicting a woman surrounded by red, yellow and orange geometric rays with the words, "Her Choice" in the left corner. Created by Pacific University graduate Ariel Russell, 2022.
A print depicting a woman surrounded by green geometric rays with the words, "Her Choice" in the left corner, and "Learn about abortion at NARAL's webiste" in the center left. Created by Pacific University graduate Ariel Russell, 2022.
An abstract, mixed media depiction of a blue rock. Swash Series. Acrylic and ink on rice paper. Created by Doug Anderson, professor, Pacific Univeristy Art Department.
A wood sculpture with bottle caps affixed, mounted on plywood and laminate base. Created by Tyler Brumfield, a professor, Pacific University Art Department.
An archival gelatin/silver print of Oppapago mountain (also known as Sheep Mountain) in the Sierra Nevada mountain range taken by American fine art photographer John Wimberley.
Printed in 2011, edition #1, print #10/100, negative #741008B
An acrylic painting signed "A. de Vries," depicting multicolored flowers (possibly dahlias) in a blue vase on a dark / blue colored background. Notes on the back state "Sept Flower Valley Art 1972" and "Mrs. Boyd". This is one of four identically signed and framed paintings of flowers by de Vries, all of which depict flowers of a particular month. They may have been produced as part of the Valley Art organization in Forest Grove.
An acrylic painting signed "A. de Vries," depicting multicolored flowers (possibly dahlias) in a blue vase on a dark / blue colored background. Notes on the back state "Sept Flower Valley Art 1972" and "Mrs. Boyd". This is one of four identically signed and framed paintings of flowers by de Vries, all of which depict flowers of a particular month. They may have been produced as part of the Valley Art organization in Forest Grove.
An acrylic painting signed "A. de Vries," depicting white lilies-of-the-valley in a teal vase on dark / teal colored background. Notes on the back state "May Flower Valley Art 1972", "Mrs. Boyd" and "73-37". This is one of four identically signed and framed paintings of flowers by de Vries, all of which depict flowers of a particular month. They may have been produced as part of the Valley Art organization in Forest Grove.
An acrylic painting signed "A. de Vries," depicting white daffodils in a teal vase on a warm-to-dark colored background. Notes on the back state "March Flower Valley Art 1972", "Mrs. Boyd" and "73-[illegible]". This is one of four identically signed and framed paintings of flowers by de Vries, all of which depict flowers of a particular month. They may have been produced as part of the Valley Art organization in Forest Grove.
An acrylic painting signed "A. de Vries," depicting purple flowers in a purple vase on a dark background. Notes on the back state "Feb Flowers Valley 1972" and "Mrs. Boyd 72-9." This is one of four identically signed and framed paintings of flowers by de Vries, all of which depict flowers of a particular month. They may have been produced as part of the Valley Art organization in Forest Grove.
A beadwork, screenprint, and acrylic painting on paper, depicting a black rat with a round, blue "window" in its abdomen which contains another smaller, golden rat, by artist Stella Nall. Stella Nall is a Montana-based multimedia artist and poet. Her website states, "She is a First Descendant of the Úuwuutasshe (Greasy Mouth) clan of the Apsáalooke (Crow) Tribe, and her Crow name is Bisháakinnesh (Rode Buffalo) and was given to her by Ronnie Yellowmule. Her work often engages with current issues pertaining to Indigenous identity, visibility and representation; while also inviting connection from people of all backgrounds by discussing ubiquitous human experiences such as love, loss, joy and grief."
"Original hand colored limited edition drypoint etching on paper," per a certificate mounted on the verso of the frame. The image by artist William Papas is also signed and numbered on the front. Papas was a political cartoonist and caricaturist, book author and illustrator, and watercolorist. In the 1960s and 1970s he worked for The Guardian, The Sunday Times, and Punch. This particular image is done in a caricature-like style, and depicts two male coal miners wearing red helmets, standing in front of a mining structure and vehicle. The image dates from 1987. Several notes on the verso dated 2020-2022 refer to the print's sale and framing.
Signed limited edition print of a watercolor depicting a purple and green horse on a white background, by artist William Papas. Numbered 33/35. Papas was a political cartoonist and caricaturist, book author and illustrator, and watercolorist. In the 1960s and 1970s he worked for The Guardian, The Sunday Times, and Punch.
Signed limited edition print of a watercolor depicting a horse resting in a seated position looking over its right shoulder, by artist William Papas. Papas was a political cartoonist and caricaturist, book author and illustrator, and watercolorist. In the 1960s and 1970s he worked for The Guardian, The Sunday Times, and Punch. The horse is a chestnut color on a white background. Numbered 2/35.
Signed limited edition print of a watercolor depicting two horses on a white background, by artist William Papas. Papas was a political cartoonist and caricaturist, book author and illustrator, and watercolorist. In the 1960s and 1970s he worked for The Guardian, The Sunday Times, and Punch. Numbered 12/50. A certificate of authenticity is mounted on the back. Framed.
Signed limited edition print of a watercolor depicting four horses running on a white and multicolored background, by artist William Papas. Papas was a political cartoonist and caricaturist, book author and illustrator, and watercolorist. In the 1960s and 1970s he worked for The Guardian, The Sunday Times, and Punch. Numbered 6/295.
A large block print created by local artist, Jeanne Fenimore Levy, during Forest Grove's 150th Celebration "Print Day", hosted by the Valley Art Association. This print is based on a photograph in the Pacific University Archives titled: "Spokane students, 'new recruits' to the Indian Training School". The original photograph depicts a group of Spokane students forcibly taken to the Forest Grove Indian School.
An acrylic painting on canvas by Ceija Stojka. Stojka was a Romani Holocaust survivor from Austria. She became an artist later in life with much of her art depicting Roma life prior to the Nazi occupation of Austria.
