Black and white photograph of a cross gable church in a modified Carpenter Gothic style. The church is white and sits on a foundation with a bell tower nestled in the corner created by the two sections. The faade of each visible gable features a row of triangular arched windows topped by three diamond-shaped windows which frame the entire window feature into a triangular arch. The main entrance is set in the bell tower's front facade, reached by a series of concrete steps, and the tower features a shingled second story beneath an open belfry with railings and decorative roof supports. A bell can just be seen inside, and the belfry has a tall, square pyramidal roof with nothing on the top. Basement windows are visible in the image left side of the church, and a bush in full leaf partially obscures the front facade. Pine and deciduous trees fill the hill slope in the background, and the church sits in a partially visible grassy field. Power lines run along the very top of the image foreground, with one connecting visibly to the church, running down the front corner of the bell tower and into the wall just above the basement.
Sepia-toned image of a number of people posed around the yard of a sawmill. One man to the left of the image sits on an ox, part of an eight-ox team. Several other men stand around the yard. One man sits on a pile of lumber, holding an ax. A man and a woman stand just beneath the eaves of the building; he wears a white shirt with a vest and dark pants; she has on a long, light-colored dress with leg of mutton sleeves and wears her hair up. Two men sit in a buggy pulled by donkeys. Three other men sit on top of stacked, cut lumber in the right of the image. Stacks of thin cut lumber fill the foreground of the image, and inside the building machinery is visible. The building itself is open framed, with a wide, gabled roof with an extension down on the left. A small smokestack emits smoke from another roof on the lower image right of the building. Another gabled building in the left image background has two narrow paned windows and what appears to be an open stable attached to the back. The two buildings are separated by a yard with a path. Bare deciduous trees rise up behind the sawmill, and full pine trees are visible beyond the second building.
Sepia-toned image of a group of children arrayed on a boardwalk outside a dark wood building. The smallest children sit with their feet dangling over the edge of a boardwalk, with larger children seated and then standing in rows behind them. The girls in the front two rows wear full, short dresses of varying prints and colors, some pinafores and many with shoulder ruffles. The boys wear dark short pants and jackets. The third and fourth rows the girls wear dark dresses with white collars, the boys dark suits with white shirts beneath them. Some of the girls have bonnets, almost all have their hair pulled back in the front and loose down their backs. The girls in the back row wear shirts tucked into skirts, some dark and some light. All the girls war their hair parted in the middle and either pulled back entirely or fastened back above their ears and hanging loose. Two women at the right end of the back row wear dark dresses with full sleeves, and their hair is parted in the middle and pulled back. Four men stand in the back of the group against the building; they wear dark suits and white shirts, and most are bearded. Three children peer through a window next to the group, on holding a small child sitting on the sill with her feet outside. A man to the side of the image wears a dark suit and a bowler hat. and the two small trees on either side of the children are in full leaf. The foreground is a grassy yard.
Sepia-toned image of a group of children arrayed on a boardwalk outside a dark wood building. The smallest children sit with their feet dangling over the edge of a boardwalk, with larger children (mostly girls) seated and then standing in rows behind them. The girls in the front two rows wear full, short dresses of varying light prints with pantaloons; the boys wear dark short pants and jackets, most with jackets. The third and fourth rows the girls wear dark dresses with white collars, the boys dark suits with white shirts beneath them. Some of the girls have bonnets, almost all have their hair pulled back in the front and loose down their backs. Two adult women to the right of the image have hats, and one wears a dark jacket over a long white skirt. The building has glass-paned windows and the two small trees on either side of the children are in full leaf. The foreground is a grassy yard.
Photograph of a white church in the Carpenter Gothic Style. A graveyard with a number of stone monuments dominates the foreground of the image. Only one side of the church is visible; it features a steep roof sloping down to white walls with three narrow windows with pointed arches between four narrow buttresses. The buttress at the front of the church extends from the building. An octagonal steeple extends up from the front of the building, with steep gables and narrow windows. The roof is cut off at the top of the image. At the rear of the main building is a smaller section, featuring the same steep roofline but shorter in height. Two double-hung paned windows with no ornamentation are visible. The church is bracketed by trees, both pine and deciduous; the latter trees are in full leaf. Visible headstones for the Mays and Meek families.
Photograph of a Shingle Style church with a cross-gabled layout, featuring white sides and darker shingle sections on the top of each wall. The bell tower features a balcony with white sides surmounted by shingled arches, and a square pyramid roof topped by an elaborate cup and cross. The church entrance sits away from the street and is a double door in a recessed, graduated archway. Five narrow double-hung windows dominate the facade next to it, two on either side of three in a row. The three are topped by an arched transom window, and the shingled pediment has a matching center arch and extends out over the windows. A smaller, arched window sits around the corner, and another door is visible at the far end of the building sitting inside a smaller arch in the same style as the front door. The building sits on a poured foundation and a sidewalk runs along both sides. A large power poles can be seen in the left of the image, with double cross-ties and a number of power lines running parallel to the church's layout. The empty lot in front of the church appears to be bare dirt. A large, bare tree stands in front of the main window, and others are visible alongside the church, evenly spaced.
